Big Bad Voodoo Daddy

Went with friends to see BBVD last night at the new Snoqualmie Casino that opened up down the road and man can those guys put on a good show.  Hard to believe the band will be turning 16 years old already this February, but, judging by the three new songs they played from the album they recorded in November, they don't seem to be slowing down much. As an aside, to my Garden State readers, Big Bad Voodoo Daddy will be playing at Trump Plaza in Atlantic City on January 10th.

The Snoqualmie Casino's ballroom is a nice enough place, but the lack of a dancefloor made the venue a little odd for a swing band. Seats were lined up 21 rows deep and although we had decent seats (row 19 -- there are no bad seats in this place), the four of us chose to stand in the back so we weren't packed in like sardines. Not to mention this gave us more room to dance (i.e. sway back and forth in traditional white-folk fashion). Other than the lack of a dancefloor, the room was good. Nice and cozy, great acoustics, and a pretty large stage with plenty of lights. Drinks were cheap too.

As for the music, BBVD is obviously struggling with the success of the holiday album they released three years ago because they were practically begging to not have to play any holiday songs. It's primarily all they play from November through Christmas, so they were anxious to play some other stuff. Nevertheless, they did play "Mr. Heatmiser", "Is Zat You Santa Clause" (which was actually far less annoying live than on the holiday album), and a BBVD version of "Frosty the Snowman".

Much to Kristin's delight, they also played "I Wanna Be Like You" which is a super-catchy take on the song from The Jungle Book and I was happy to hear "You & Me & the Bottle Makes Three Tonight" which is one of my favorites of theirs. They also played "Minnie the Moocher" and -- I didn't catch the name -- the first song they ever wrote as a band. And they recorded a new album right before going on tour and played three songs from that. One was a bit slow, the others were more up-tempo.

What really stands out about this band, aside from the singing, is the extraordinary horn section. The five guys on sax, trumpet, and trombone took turns rotating to the front of the stage for a nonstop series of phenomenal solos, at one point straying into what can only be described as dueling horns. Not to be outdone, the pianist, drummer, bassist, and, of course, Scotty on vocals/guitar all had their shining moments too.

They're a really fun band to see and certainly attract a wide range of showgoers. I spotted people in the crowd ranging from the barely-legal age of early twenties to more than a few couples of retirement age.

Check them out at or look to Ticketmaster for show times.

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